This has been evident throughout the past two years. Not a place to live - Selway on being pampered on tour That mindset, which you can flip into on tour, is totally inappropriate in that context. Within the natural pattern of my life, family is important to me. The group has become a mothership – from which its members can leave and depart according to mood and without threatening the integrity of the project. In addition to filling stadiums while looking rather joyless, one of their most remarkable achievements has been to recalibrate what it means to be a big band. Radiohead are nobody’s idea of badly behaved rock stars. There are already enough guitarists in that band. Then, towards the end of school, I joined On a Friday, which became Radiohead. I had my first guitar before my first drum kit. “I was learning my first few chords so I could write songs. “When I started wanting to be in a band when I was about 14 or 15, songwriting and drumming went hand in hand,” he says. He layers in a muscular jitteriness that stops the material from collapsing into a pudding of misery. As a percussionist, Selway brings something essential. Epic yet delicate, these are compositions that demand careful handling. That’s also the quality that typifies his drumming on Radiohead songs such as The National Anthem and Airbag. All helped Selway take inward-looking lyrics and expand them outwards into songs of empathy and humanity. He namechecks collaborators such as percussionist Valentina Magaletti, cellist and vocalist Laura Moody and Portishead guitarist Adrian Utley. My reference points were the musical relationships I’ve been building across the past decade in my solo work.” Nor are they the elements of Radiohead I wanted to draw on. “My reference points musically – it wasn’t a reaction to Radiohead.
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